Waiting on Trailer…and Pondering - UPDATED UPDATE!
As I write this, I am waiting on what will hopefully be a new Dark Knight trailer to make it’s debut online. Since early this afternoon (Eastern Time) the viral marketing machine which WB has been using quite effectively to promote this film has been in high gear with a really cool way of introducing fans to the trailer.
Fans were led to various locations through the whysoserious website where they were met with instructions to go to nearby theatres. They were then given raffle tickets and shown the newest trailer for the Dark Knight. Very cool. Cooler still was the raffle was for the actual reel of film that the trailer was on.
Uncool, however, was the security in the theatre for the trailer. Apparently they had people watching the audience with night vision to insure that no one was recording the trailer to place on youtube or some other website.
Why is that uncool? Well, I understand studios preventing piracy of movies. I understand cracking down on people who would try to profit off of films and keep those involved in making the films from being able to profit off of their own work. But consider this line of thinking…
1. A trailer is a commercial.
2. As a commercial, a trailer is meant to promote the film that it is previewing.
3. Normally, advertising costs.
4. If someone were to make a crappy home video of the trailer they are watching in a theatre and post it on the internet, thereby creating more buzz for a film that seems to me to be free advertising.
5. I thought studios liked free advertising.
Put it all together, and you’ve got one confused Big Honkin Steve. I’m not complaining mind you. I just would like it explained to me why it’s a big deal for the studios to have a free commercial on the internet. I honestly don’t think anyone can.
Maybe they see the benefits of free advertising. Apparently, the official trailer is coming Sunday, but this was first shown to me at around 1am. 9 hours later, it’s still there. Interesting…
And it’s gone….
As I continued pondering the above query, I can only come up with one answer. Best I can figure, WB wants to put geek butts in the seats when they release a film. So, if they tell us that a movie is gonna have a trailer attatched to it, if people see it online first, they may not go see the movie to which the trailer is attatched. For example, I went to see The Incredibles because of a Star Wars trailer. I enjoyed The Incredibles, but probably would have waited to see it on DVD. So, I guess I’m ok with companies not releasing their commercials online until they’re in theatres. BUT!
(There’s always a big “but.”)
The marketing gurus at WB did fans a disservice last night as everyone got in a frenzy to jump through geurilla marketing hoops only to be told….wait ’til Sunday. Granted a few thousand got to see the trailer and a handful of lucky people won the actual film reel of the trailer, but the truth is, there were thousands more people who were online, getting clues and racking their brains attempting to unlock the online secret only to get another advertisement. I’m not gonna whine too much, (there’s plenty of that going on)but it wouldn’t have hurt them at all to have things come to fruition late Thursday night and go ahead and post the trailer.
So, I guess that’s it. Nothing to see here, move along. Move along. (Star Wars reference)
Aunt Petunia’s favorite Nephew, The Ever-Lovin’ Blue-Eyed Thing. You know the origin, while on a space flight with Reed Richards and Sue and Johnny Storm, Ben Grimm, test pilot extraordinaire was bombarded by cosmic rays. Upon safely crash landing (seems oxymoronical….I know.) back on Earth, Grimm found himself growing and changing into a monstrous looking form. He would from that point on be known as The Thing.
the Fantastic Four book, I saw him…The Thing. So, I checked that book out, promising the other two I would come for them. It was in this book that I first read the origin of the Fantastic Four and began to discover who this big orange guy was. I was hooked. On comics. On The Thing. And The Fantastic Four would be a book I would collect to this day.
On a more serious note, if Spider-Man had an appeal for kids because he started out as a kid, The Thing appeals to people because everyone has looked at themselves and not like what they’ve seen. One of the driving forces of the character of Ben Grimm since he became The Thing is his loathing over his appearance. Ben Grimm is constantly plagued with unhappiness because of what the cosmic rays turned him into. In a cruel twist of fate though, Ben Grimm could not turn back into his regular form like his teammates. In fact, Reed Richards once hypothesized that Ben had some mental blocks in place for various reasons that kept him from reverting to his human form at will. Ironically, this is a common problem people with low self esteem have. Instead of doing the things they need to do to try and improve their self esteem, they tend to wallow in their misery. (Stop preaching Steve.) There have only been one or two times though when Ben’s self loathing have kept him from being effective. Those times have provided interesting stories though. Ben’s lack of self confidence based on his appearance have made the big guy pretty easy for mere mortals to relate to.
He is quite possible Stan Lee’s greatest creation. Lee along with artist Steve Ditko first introduced Spider-Man to the masses in the fifteenth issue of the failing Amazing Fantasy comic book. In fact, Lee’s publisher didn’t like the idea of a hero based on a spider because he thought spiders creep people out. So, when it was apparent that Amazing Fantasy was going to fail and Lee needed a story to fill the comic out, he stuck Spidey in there. All was forgotten, then the sales figures came back. Spider-Man was a hit. So, he got his own book. From then, Spider-Man grew in popularity and became a staple of American culture.
Spider-Man is endowed with the proportionate strength, speed,and agility of a spider. His sharp reflexes and acrobatic ability allow him to fearlessly swing high among the skyscrapers of downtown New York on webs eminating from webshooters that Peter Parker designed. His strength allows him to pull of some remarkable rescues and hold his own against some pretty tough villains. His spider sense is an early warning system in his head that alerts him to danger. (Wish I had that.) He is still as vulnerable to pain and physical harm as any human though, so when he’s in the middle of a fight,the danger to Spidey is very real.
It seemed great for a little while, but then we find out that it’s really a parasitic symbiote feeding off of Peter’s power and fueling is rage and aggression. When Peter was finally able to get rid of it, it wasn’t easy. Then it escapes it’s prison at the Four Freedom’s Plaza and comes back bonded with Eddie Brock as Venom. Talk about a good thing gone bad. Web shooters are always running out of web fluid. There is always something wrong at work. And don’t even get me started on the lady troubles. (Culminating in a deal with the devil that ended Peter’s marriage and brings us right back to the lady trouble.) Pete’s bad luck though only makes us sympathize with him more. Even when it’s Peter’s fault that things have gone wrong, we still feel for him, because we can all relate. We’ve all had days that go terribly wrong and one bad decision only makes the day worse. So, as we read the adventures of Spider-Man, we find ourselves rooting for the character because we know how it feels and it would be nice to someone get the upper hand on bad luck for once.
Upon reviewing the second issue of Hulk by Jeph Loeb, I tended to go on about how much I love Jeph Loeb’s writing and how much I truly enjoy Ed McGuinness’ art. I didn’t delve too much into the current storyline, or give any real thoughts as to what I think is going on, or even comment on whether or not I liked it. Since that review, and since reading that second issue, I’ve developed my theories and thoughts and ideas. The real question is, “How is this book holding up as a Hulk book?”


